4,130 Royalty-Free Audio Tracks for "Fretted Synth"

A beat dec 17 -17looplooplooploop.

A recording containing kick, snare and an electronic bass sound.

Experimenting with jupiter storm as clock divider. A clock divider controlled with a fluctuating cv. Using a slew as a "brake". . .

A stereo, somewhat futuristic 'computer whine' sound i made. Might be good as a digital background ambiance or something.

More work with vclfos and lopping envelopes. And i'm using a one component rectifier. . .

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Machine composed electronic music - or experimental generative atonal electronic music made with an analog modular synth. I give my synth the prerequisites to create music - and it does - endlessly. I record and pick out some created songs.

A5sus2 arpeggio stab glassy synth clicky low freq atmosphere bass-01. Wav.

Short,weird and lofi sound. Can be used as a dark sound effect. Was made in causic 3.

Three part modular uncomposition. Or call it a patch driven by a mix ofchaos and order. Perfect as annoying sound. . . Made with a analog modular synth. The reverb is a spring reverb.

What. . . ? well, an interesting electronic sound. Maybe?!made with modular synth.

Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.

Simple beat in c.

A simple heartbeat of a dying person. Made in lmms with bitinvader.

A rather bass-heavy 18 second 160 bpm looping sample, with the usual pile of synth garbage on top. Created in fl studio, making use of the toxic biohazard plugin.

Sound experiment made with modular synth.

A moody and rather weird 13 second 110-bpm loop with some percussion, bass, organ, synth and bells. Created in fl studio.

I thought i had a diy contact mic somewhere, but i did not find it. But i found another thing. A contact mic for an instrument tuner. But (again) it had a 1/4 inch mono plug. That meant i could not connect it to my computer mic in. But (i know) what if i plug it in to my modular synth. Surprise. . . Then i could add a little filter, pan and spring reverb. So clamped the mic on to my external 3,5 inch disc drive and recorded. This is my submission to dare 51.

Chaos in controlnow have to fix my dish washererror code e:24.

A sweeping / rising sound, intended for use in build-ups or transitions in dance music. Created with crescendo by digital dj tools: http://digitaldjtools. Net/software/crescendo/.

Another vs-1 stem, frozen in live 9, part of a failed project, with a bit of processing on top of it, i thought why the hell not share this btch.

Playing with lfos. 2 lfos are controlling the amplitude of the sample and hold generated blips. . . :-).

Yep, analog filters. . . Everything is analog!no, wait the reverb is digital. And this recording. But the noise that reaches your ears is analog. My little modular synth is playing a patch just for you. Or world is a big ad/da converter!!!. I failed at the fade out. . . Sorry for that.

Some synth wobble i've gone and done in caustic. Used the modular for this. ∆°. E# g# f#130 bpm.

Sampled from a boomstar 4075.

A drone with jupiter storm and function in some sort of feedback patch with injected cv from sloth - always sloth. . .

I have started to read a certain book written by allen strange, "electronic music: systems, techniques, and controls". It's about time i dig into it. Probably it will result in some sounds. . .

Just some experimenting around with my modular. . . . . I take a signal from an lfo and split. I invert one of the signals and mix them.

I tried to create a feedback loop with my delay. It'a a simple analog stomp box delay.

Variable speed on main trigger. 4-step shift register made with sample and hold modules. Looping envelopes with varying speed. The sample and hold shift register does not preserve pitch frequency very well.

Yep, 4-stage shift register made with s/h.

A drone made with a modular synth.

A brief sound effect that i imagine would play right before a battle in an old rpg. Made with deflemask.

Modular beat with "sinus bass drum". . . Playing around as usual.

The selected track. . . Electronic it is. . .

I recorded one hour of machine composition. I did not listen to it. I did not open the file in audacity. I told my fb fiends to give me a number between 0 and 57. I got 42 (what else). This sound is minute 42 to 45 from my one hour recording. The rest is deleted. Gone.

My synth creates 24 tracks. No scale known to human. . . Track start are marked by a high-hat sound. Some are short!. 0:00 track 11:57 track 22:02 track 32:08 track 42:32 track 54:015:455:515:576:02 track 106:066:216:316:357:06 track 15 my favourite7:317:347:407:55 hmmm okay8:38 track 209:409:469:51 interesting11:53 track 24.

I made a tonal quantussy recording. The bass always plays a low c. The 5 tracks are selected from one 15 min long recording. The synth creates defined tracks with different character.

Absynth5 + korg m3 karma midi + 909.

Using an cvlfo in a feedbackloop creating very "chaotic" cv!.

Using nonlinearcircuits sloth lfo (regular version) to control volume, pan an some other stuff. . . Always nice to see/hear chaos in action. Sloth delivers cv and let me play with a ruffly tuned chord that goes thoughan analog delay pedal.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create an uneasy melody.

Sample made in sfxr with layered sawtooth waves in harmony and sliding highpass and lowpass filters, then used as a note in sfozando to create a melody.

A simple arpeggio to express memories of childhood.

Vcv rack loops recorded into a tascam multitrack tape cassette.

Some lo-fi synth i made in fl with izotope vinyl lol.

Since there is an abundance of am'd square wave sounds everywhere, why not turn it into triangle waves? generated and then heavily edited using caustic 3. 2.

More sounds. More of my voice. . . "i am your friend".

An untraditional hybrid electronic loop with non-intrusive synthesizers and ambient pads.

A retro 70 bpm synth loop without drums for drunk pop singers and creepy lovers.